WELCOME TO OUR LITTLE SHOP.

Lots to see! Works from global art stars to local nobodies (but cool nobodies, which could end up being global art stars, which you could kick yourself for not picking them up when they were nobodies… (story of my life…))

Anyhoo. Take your time, look around, chit chat with the middle age man inside, enjoy the dehumidified air-conditioning!

Cheo Chai-Hiang (Singapore)
您好 (Homage to Guest Workers) , 2022 (updated version from the one from 1999/2000)

176 x 35 x 6.5 (cm)

Please enquire for price

ATIN YEO (b. 1998)

Part Thai. Part Singaporean. Paints like a modern mad man with old masters mad skills. Expressive, well-practiced strokes, layers of rich vibrant colours on whatever he finds, scraps of wood, cloth, canvases. What feels chaotic, stems from yearning and love: to connect, and be true.

The idea of acceptance is always in flux, in pursuit of, of running away from.

“We might never belong, might never find home, but that means there is always somewhere to go: which is forward.” - ATIN YEO 2022

ATIN YEO (Singapore/Thailand, B. 1998)

Looking fishy (2022)

Oil on wood panel (framed)

63 x 20 cm

1,600 SGD

ATIN YEO (Singapore/Thailand, B. 1998)

Atinyvostok (2022)

Oil and acrylic on canvas

76 x 105 cm

2,200 SGD

ATIN YEO (Singapore/Thailand, B. 1998)

Cave Painting pt. 5; Beheaded Queens’ Diaries (2022)

Oil and acrylic on printed canvas. -

“This one is on the topic of royal women.” - The Artist

1,600 SGD

ATIN YEO (Singapore/Thailand, B. 1998)

Late Sunday evening (2022)

Oil and pencil on panel

43 x 62cm

1,600 SGD

ATIN YEO (Singapore/Thailand, B. 1998)

Christina’s Burden (2022)

Oil and acrylic on canvas

2,200 SGD

ATIN YEO (Singapore/Thailand, B. 1998)

So I can see at night (2022)

Oil on canvas panel

1600SGD

This is Sigurd, from her music video “In the dark.”

Watch video here.

ATIN YEO (Singapore/Thailand, B. 1998)

Untitled (2018)

Mixed media on wood

200SGD

ATIN YEO (b. 1998)

Untitled (2018)

200 SGD

 

 

Kim JiHyun

(South Korea, b 1999)

These are not digital photos. They are acrylic paintings.

JiHyun carefully select unexpected moments, painstaking re-imagines them, juxtaposing reality, memory, humour and imagination, into a courageous expression of the mediative moment. We know what is real, when we feel we are losing them. The choice of focus, the choice of omission and admission, add value beyond what a million digital photos can do.

Kim JiHyun (b.1999, South Korea)

“Back”

Acrylic On Paper

62.2 x 65.8cm

1600 SGD

Kim JiHyun (b.1999, South Korea)

“Hi Adam” (2022)

Oil, Modeling Paste on Linen

1,250 SGD

Kim JiHyun (b.1999, South Korea)

“Glance (Cut), Glance (Cut Out)”

Diptych

Acrylic on Paper, mouned on wood.

1600 SGD (set)

Kim JiHyun (b.1999, South Korea)

Flaffy 2021

Acrylic on brick

850 SGD (set)

Samuel Chen (Singapore)

For over a decade, Samuel practiced, exhibited and taught painting in Singapore.

In 2019, he decided to quit it all, to spend 6 years in Russia.

To learn from the masters at St. Petersberg Academy of Fine Arts (LE Repin)

Decisive. Emotive. Thoughtful. Samuel achieves a lot with very little. He’s a painter’s painter. He is one of the rare local painter with a blend of European technique with local sensibilities.

The leaps as seen in these paintings is remarkable.

Samuel Chen (Singapore)

A selection of small oil on panels.

(2012 - 2021)

Mostly made during & after his first year in Russia.

Samuel Chen (Singapore)

Still-life with lantern

(2019) Oil on linen canvas

1200SGD

Samuel Chen (Singapore)

Spring Still Life (2019)

Oil on linen canvas

1900SGD

Andy Grant (South Africa)

Skate Life 1 - Venice Beach, Los Angeles Media: Photography / Print: Ilford Galerie Prestige Smooth Cotton Rag.

Edition: 1/25

Image Size: 58.4 x 45.7cm

Paper Size: 71.4 x 51.4cm

750SGD

Andy Grant (South Africa)

Skate Life 2 - Venice Beach, Los Angeles Media: Photography / Print: Ilford Galerie Prestige Smooth Cotton Rag.

Edition: 1/25

Image Size: 58.4 x 45.7cm

Paper Size: 71.4 x 51.4cm

750SGD

D*Face (United Kingdom)


21 Color Hand Pulled Serigraph

on 320gsm Coventry Rag PaperSize:34 x 48 Inches

Release:January 30, 2014

Artist Proof

Artwork comes framed

2500SGD

D*Face (United Kingdom)

Colour Queens, 2022 1/1 unique colour way from a series of 9 (each completely different)
Chine Collé Etching using Handmade Japanese Paper on Hahnemühle Archival Paper deckle edged

5500SGD

FAILE (United States)

Hollywood Night Print (2021)

28 x 42 Inches
Archival Ink on Entrada 290gsm Cotton Rag
Edition of 400
Embossed, Signed and Numbered 

Framed by Merlin Singapore

1350SGD

Ai Weiwei (China)

Small ‘Cedar’, 2022

H 475 x W 380 mm.

Signed on front by artist

Screenprint on Somerset Velvet Antique 280gsm

Edition of 150.

Printed at The Print Studio, Cambridge

UNFRAMED

1900SGD

Faile (United States)

Seduction of the Mask

(Original artwork)

Paper collage and silkscreen ink on found book cover, framed by artist.

11 1/2 × 9 3/4 × 1 in | 29.2 × 24.8 × 2.5 cm

3000SGD

Gao Hang (China/United States)

Capsule

Acrylic on Canvas

Original artwork

4000SGD

James Day

Untitled

Photography / Print: Ilford Galerie Prestige Smooth Cotton Rag.

Edition: 88/200

Framed by artist

850SGD

Shepard Fairey (United States)

Tunnel Vision (GOLD)

Edition 400

Screenprint

Signed/Numbered

550SGD

Wang GuangYi 王广义(China)

"Great criticism” Series-Pepsi, 2007

Lithograph

27 3/5 × 26 4/5 in | 70 × 68 cm

Signed and numbered edition of 200

3500SGD (Unframed)

Beejoir (United Kingdom)

Weapon of Choice (British Racing Green and Gold)

2013

1/1 Sikscreen on canvas

Signed

3000SGD

Suanjaya Kencut (Indonesia)

All In Home, 2022

Silkscreen

30 × 23 in | 76.2 × 58.4 cm

Edition of 100

1800SGD (unframed)

MORE ART

UP THE

STAIRS!

Atin Yeo (Singapore/Thailand)

Untitled

Mixed media on wood

180SGD (each)

Atin Yeo (Singapore/Thailand)

ItTatemae

oil and pen on mdf board 2016

380SGD

Atin Yeo (Singapore/Thailand)

Untitled (2018)

180SGD

Atin Yeo (Singapore/Thailand)

Untitled (2018)

180SGD

Atin Yeo (Singapore/Thailand)

Untitled (2018)

180SGD

Christine R. Bay (Singapore)

One of the rare ones. A pop surrealist with eagle sharp eyes and needle-fine brushwork.

Dark, beautiful, precious.

Christine R. Bay

(Singapore)

Wilting (2022)

Oils and bronze pigments on canvas

40.6 x 51.0 x 4cm

 

1800SGD

 

Christine R. Bay

(Singapore)

Akiko

Year: 2021

Media: Oils and bronze pigments on primed wooden panel

Size: 20.7 x 6.2 x 1.2 cm

 

1100SGD

Christine R. Bay

(Singapore)

Hiding (2022)

Oils on primed floater wooden panel

6.7 cm diameter x 1.8cm

650SGD

Christine R. Bay

(Singapore)

Listening to Angels’ Calls (Diptych)

Year: 2021

Media: Oils on primed wooden panels (diptych)

16.8 x 30.5 x 1.1 cm (per panel)

 

2100SGD

 

Kim JiHyun

(South Korea)

Roach (2021)

Mixed Media

750SGD 

ARTIST NAME Cheo Chai-Hiang 蒋才雄
ART WORK TITLE Half a Bucket of Shit (A self-portrait)
DATE 2013
MEDIUM Hand-made traditional wooden barrel; a traditional gilded signboard.
PRICE POA

ARTIST STATEMENT

In 2013 in Malacca town I commissioned a wooden barrel from the legendary tukang tong master Mr Chan Cheok Tiam, then in his late-80s.

On collecting it, a lady working in a nearby souvenir shop saw my barrel and called out, “How much did you pay for that crudely-made barrel?”

I told her.

Pointing to what she displayed in her shop, she told me, “What I sell here is well-made, better looking and much cheaper than what you paid for yours!”

I replied, ”我买的不是木桶,我买的是传统。”
("I am not buying a wooden barrel. I am collecting a piece of Heritage.")

PRICE: Please enquire

Shepard Fairey (United States)

Proud Parents (Silkscreen on metal)

Edition of 2

(2007)

Price - please enquire

Fine art silkscreen on paper by various artists

box framed

Each an edition of 350

Numbered, unsigned

Prices vary

Sculptures

Collectibles

and other

proofs of life.

Prices vary

Sculptures

Help?

Art is a terrible, money-losing, business, usually run by idiots like myself.

And i need all the help i can get to keep the boat afloat.

If this gallery was “quite” ok, please write a positive review on Google, so the big brother algorithm can grant us some scraps and shavings…

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One gazillion thanks! - Mr Lim